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John Foxx And The Maths - Interplay

Interplay by John Foxx And The Maths

3...according to our on Fri 25 Mar, 2011.

More serious business coming my way. This time it's a collaboration between John Foxx (Ultravox) and producer Benge (synth power nerd) who are going all out with the analogue synths on 'Interplay'. There's a lot of boring nerd talk in the press release about how the album was recorded and what was used to achieve the desired results but today that doesn't interest me, I just wanna hear some kick ass electronic pop music. Unfortunately (as is the case with many an electronic pioneer... Human League, Devo... I'm looking at you), there's not much of that present on this new Foxx material. Yeah, the tones are right, the gothic tinged electro moments are apparent, John Foxx's voice sounds cool (especially on 'Evergreen'), the synths sound rad and the production is tight but the tunes are still a bit 'Future Sailors' for my liking. 'Interplay' is more in keeping with Gary Numan's vision of electronic music which is not really what I'm after. 'Interplay' is unnecessarily dramatic in parts and completely ridiculous in others yet it still has it's charms and as the record evolves it definitely improves so that's something. I reckon this'll more likely go down well with most but it's just not working for me today. Soz lads. Can't wait to get home and listen to The Descendents.

‘ONE OF THE FINEST ELECTRONIC RECORDS YOU’LL HEAR IN 2011’ The Quietus. The debut album by John Foxx And The Maths will be released by Metamatic Records on 21st March, 2011. Interplay is a collaboration between John Foxx and electronic composer and synthesizer collector, Benge (Ben Edwards). He's best known for his 2008 album, Twenty Systems which was described by Brian Eno as 'a brilliant contribution to the archaeology of electronic music.' The album will initially be available as a Deluxe Digipack limited to 1500 copies, designed by Jonathan Barnbrook whose previous work includes David Bowie's Heathen and Reality albums. Moody and atmospheric, but also full of songs that are actually more ‘’pop’’ than avant garde, Interplay pulls various strands of electronic music together – from early ‘80s electro to 70s Krautrock, even flashes of Cabaret Voltaire and Foxx’s first band, Ultravox! One track, ‘Watching A Building On Fire’ features Mira Aroyo from Ladytron, who also came up with the original synth riff. Although Interplay sounds nothing like the ambient experiments of Twenty Systems, both albums are based around the waves, frequencies and vibrations of analogue synthesizers. Many of the songs on the new Maths album started with an electronic rhythm from a 1960s Moog system built into Benge's studio, with the pair then coming up with ideas live in the studio. As Benge says, 'the idea of Interplay is in the lyric from the title-track. 'We calculated everything, but not the interplay'. In the studio we left a lot of things to chance and let the various combinations of sounds and colours and connections trigger our imaginations.' Foxx and Benge will be performing tracks from the album, plus a selection of early Ultravox material (with Robin Simon on guitar) and material from Foxx's dark electro classic Metamatic at the Troxy, London on 2nd April, alongside live sets by Gary Numan and Motor. This follows their triumphant analogue performance last summer at the Roundhouse as the headliner of the 2010 Short Circuit festival. Meanwhile in recent years John Foxx has also collaborated with I, Robot film director Alex Proyas, writer Iain Sinclair and Robin Guthrie (ex-Cocteau Twins). He's currently working on new material with Paul Daley (Leftfield).Tracklisting 1/Shatterproof 2/Catwalk 3/Evergreen 4/Watching A Building On Fire 5/Interplay 6/Summerland 7/The Running Man 8/A Falling Star 9/Destination 10/The Good Shadow ''Foxx's music still sounds futuristic, accompanied by flickering footage and images of design that never dates: imagined cityscapes, endless motorways. As these time machines whirr to silence, it's clear that Mr Foxx is still fantastic.'' NME

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