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Stephan Mathieu - A Static Place

Recommended by us on 28th January 2011

A Static Place by Stephan Mathieu

5...according to our on Fri 28 Jan, 2011.

As expected, outstanding audio here from Mr Mathieu, created using early 78rpm records, mechanical-acoustic gramophones and computers. Based on that kind of setup, an affinity with the work of Philip Jeck would be a fair assumption and also correct as in many ways 'A Static Place' evokes similar abstract dream-lands to that of Jeck's. The result of Mathieu's process though is not as raw as Lord Jeck's, probably due to the post production and spectral analysis through the additional computer processes. However he doesn't clean things up entirely, leaving a certain amount of vinyl hiss in the mix. The sounds he achieves feel somehow comforting and familiar; blissed acousmatic soundscapes that retain an emotional depth and richness that could not have happened by mere chance. Although I'm sure the techniques used often result in happy accidents, there is a craftsmanship and skill evident in translating the raw material into something new and emotionally resonant. Those that enjoy stuff by Lawrence English, Simon Scott, The Caretaker, David Tagg, Rafael Toral, William Basinski etc. Should easily find some pleasurable listening from the lush aural tapestries of  'A Static Place'.

“A Static Place is about the journey of sound. Between 1928 and 1932 the earliest recordings of historically informed performances of music from the late Gothic, Renaissance and Baroque era were etched into 78RPM records. I used some of these records from my collection, playing them back with two mechanical acoustic HMV Model 102 gramophones. The initial soundwaves produced back then by period instruments like the clavichord, viols, lute, hurdy-gurdy are read from the grooves by a cactus needle to be amplified by the gramophones diaphragm housed in a soundbox. Those vibrations travel through the tonearm which is connected straight to the gramophones horn, which releases the music to my space.Here the sound is again picked up by a pair of customized microphones and send to my computer, to be transformed by spectral analysis and convolution processes.” - Stephan Mathieu, Madrid, Nov. 31, 2010

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