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Six Organs of Admittance - Asleep On The Floodplain

Recommended by us on 18th February 2011

Asleep On The Floodplain by Six Organs of Admittance

5...according to our on Thu 17 Feb, 2011.

In which Ben Chasny strips away the dense layers and Current 93-esque studio tomfoolery of his last LP proper (Luminous Night) in favour of a more back-to-basics home solo home recording style, more in the vein of his stellar early shit. This one does differ from the likes of Dark Noontide though in that there aren't really any interludes of droney atmospherics in amongst the sublime acoustic guitar folkery.. Much of it is very minimal indeed. That's not to say that there aren't other elements on show, it's just that they're stitched into the fabric of his picking and strumming rather than having much of a sense of separation as was often the case in the past. Vocals are sparing but expertly used. The whole thing has a gorgeously light and airy feel which I don't think he's ever really used across the length of a full album before.. It makes for a very nice departure.

Comprised of ten blissful, primarily acoustic tunes, a
delicacy wafts forth from ‘Asleep On The Floodplain’, the
new album by Six Organs Of Admittance.

After 2009’s sonically dense ‘Luminous Night’, Ben Chasny
returned to the familiar environs of home recording to
sculpt and assemble this batch of jams, freeing himself
from the restrictions and deadlines studios might normally
impose upon a song, thus creating a living nest in which
this material could grow and breathe. The album took
longer to complete but sounds effortless and bright with
light.

Much of ‘Asleep On The Floodplain’ draws on imagery from
Chasny’s youth, a time spent in Elk River. ‘Dawn, Running
Home’ remembers sleepovers in a friend’s tree-fort and the
subsequent morning’s return to Ben’s own house. He
wrote ‘Above A Desert I’ve Never Seen’ while bedridden
for a week. ‘Hold But Let Go’ was meant for a film, but
never used.

Maintaining Six Organs’ penchant for cameos, Elisa
Ambrogio contributes to ‘River Of My Youth’, the
theopoetics of Catherine Keller resonate on ‘S/Word And
Leviathan’, and Gaston Bachelard’s poetics of reverie are
felt throughout the record.

Working alone allowed for what could be described as a
more cohesive album, giving Chasny time to reflect and
make his own conclusions about how a song should move,
or when it was finished, in his own time. To that end, each
song is memorable of its own volition, yet drifts as
necessary onto the common plane of ‘Asleep On The
Floodplain’.

Tracklisting:

1. Above A Desert I’veNever Seen
2. Light Of The Light
3. Brilliant Blue SeaBetween Us
4. Saint Of Fishermen
5. Hold But Let Go
6. River Of My Youth
7. Poppies
8. S/Word And Leviathan
9. A New Name On An OldCement Bridge
10. Dawn, Running Home

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