Recommended by us on 3rd December 2010
...according to our Brian on Thu 02 Dec, 2010.
Well, the ladies Tara Burke AKA Fursaxa & sometime Espers member Helena Espvall have their 2006 Deserted Village collaboration CDr out on the champion's format at last, courtesy off those mysterious North East-dwelling musical outsiders Alt. Vinyl. If this was the kind of music you heard in a church people would flock there in droves, surely? Well there's an organ & choral element to it, isn't that good enough to praise your chosen deity? Actually, this is probably a bit too psychedelic & devilish to tickle the fancy of many god-botherers. Throughout 'Maidens of Saxony', under the musty sustained organ melody is this intermittent strange grumble that prevents you from truly tripping out in a Spiritualized-style mong. Voices glide in like wailing seagulls from all angles. That organ is soooo good, with a faint aura of decay about it. The next tune employs another sustained organ tone, more sad wordless lamenting but carries a more downbeat resonance with the added element of a two note guitar line that ambles into the spooked ether to play. This vibe is continued on side two's lengthy opener (together they form the twin centrepieces 'Koldovstvo 1 & 2'), the subsequent part involving the jingle & rattle of bells and a more distinct blissed psychedelic guitar meandering - the ponderous organ having departed to be eventually replaced with a truly remarkable array of muliti-tracked, mangled, pitch-bent and processed semi-operatic tones. Kind of like a really whacked out version of Inca Ore or summat. Properly unsettling, highly compulsive listening. There's elements of the eerie Scorces here too, a rather witchy element to it all. There's a brief vignette to finish the set which employs a melodica or a toy accordion style instrument amongst more woozy tropical burbles & queer searching psychedelia. A bloody interesting record from two powerful fringe players.
a first vinyl edition fully remixed for wax from the cd masters that first appeared on a ltd cdr from deserted village in 2006. plaintive semi abstract vocals strain and wind over ecclesiastical notes held so long that your head becomes the organist’s domain. Rarely have vocal harmonies been this ethereal or perfectly held. Not the glottal gymnastics of joan la Barbara but rather the complementary visions of two unique artists in absolute accord. Much of side B feels more improvised but throughout the whole there is an economy of note, a tension of control and an element of perfection to the detail of performance. Housed in an ultra heavy card sleeve with cover art by Paul Santoleri and labels by Helena Espvall.
Be the first to review this record. Best reviewer each month gets £10 off their next order!