Recommended by us on 10th December 2010
...according to our Clinton on Thu 09 Dec, 2010.
An ambitious record certainly. Haywood, originally from Lancaster, got sick of everything and buggered off to Scotland to explore wildlife and when he returned spent five years making this record. Its a curious mix of Scottish folk music, Robyn Hitchcock-style whimsy and West Coast (of America) laid back songwriting recalling David Crosby and pals. The voice is sure to be an acquired taste to some sitting on top of the mix recalling English eccentrics such as Vic Goddard, Syd Barrett and their Australian/New Zealand counterparts Pip Proud and Alastair Galbraith, underneath it traditional folk strings tangle with steel guitars, heartily strummed acoustic guitars and clattery drums. The songs are eccentric, stop-starty and recall The Moles forgotten madcap finale 'Instinct'. It's hard at first to get a grip of it but the more I listen the more impressive it's becoming and should certainly be given time to reveal itself. The type of record that someone, somewhere is going to fall helplessly in love with - it could even be me... We'll see. Comes on double CD and triple vinyl box set.
Dramatic, edgy and epic musical vision that reunites cosmic country music with some of its British folk origins. Five years in the making and over two hours in length, this thirty-two track, triple vinyl album is both Dan Haywood’s New Hawks debut record and final release. The songs are all based on Haywood’s personal ruminations charting his experience as a lone songwriter, poet and ornithologist travelling around rural Scotland.
We first heard of Dan Haywood in 2006 from some of our friends in Lancaster. We learned that he had been the leader of the Puma-Sutras, one of that city’s most interesting outsider bands of the late 1990s to early 2000s, and that disillusioned on their demise in 2003 he judiciously and secretly chose to relocate to the north coast of Scot-land where he lived for the following eighteen months - often exploring unaccompanied, usually studying upland birds and almost always observing the people he met on his travels. On his return to Lancaster, a reclusive
Haywood brought the majority of these songs to life in a month long creative burst and then assembled a band of kindred spirits to perform and capture the arrangements on record. Over time the band expanded to an eight piece and during the following years they painstakingly pieced together the entire New Hawks album in various country churches, schools and village halls near to their home city, while also taking their live performances around England and Scotland.
The finished record is uncompromising in its dramatic, personal and raw interpretation - marrying country rock, folk and psychedelic influences, alongside Haywood’s ardent vocals. The instrumentation and arrangements are sometimes sparse, sometimes exquisite and sometimes cacophonous, with the band utilising guitars, fiddles, cellos, drums, pedal steel, piano and percussion along with some minimal use of bass, bongos and harmonium. The main focus is Haywood’s voice and genre-stretching lyrics – formidable and unmistakeable, for us it conjures up something like an early David Bowie, Lou Reed or even Pip Proud. And musically we hear stylistic influences that
recall the mid 1970s exploits of Roy Harper and David Crosby, together with the traditional sounds of Shetland fiddler Aly Bain.
Haywood himself semi-humorously defines his music as “country and northern” or “upland cathartidelia” and alludes to his tunes as “odes to the wilds of Caithness and Sutherland (that are onepart therapy and two-parts dementia).” Their live shows are fresh and energising - the supple song structures and Haywood’s surreal inter song banter mean that each show is unique. They have played alongside acts including A Hawk And A Hacksaw, Alasdair Roberts and Directing Hand. Limited edition of 400 triple vinyl box sets and 300 double CDs.
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