Recommended by us on 23rd February 2011
...according to our Business Lady on Wed 23 Feb, 2011.
ZZE return with the long overdue follow up to last years excellent 'Bal La Poussiere' EP and again, it's a total winner. Here we are treated to two wildy confident compositions that match the cosmic with the sub-tropical to create vast and epically groovy tunage. A side 'Speedball' seems to touch on a little of everything from Krautrock, cosmic psych, new wave and afro-beat whilst maintaining a solid consistency throughout. It bobs and weaves, it drops and sways and returns again and again for more. It's powerful stuff that sees boredoms-esque synth soundscapes battle it out against a backdrop of lively grooves and motivational vocal outbursts. It's like a hundred different tunes in one! Flip it and you get 'Praise The Waterfall', a trip in two parts and the highlight of the set last time I saw them in Leeds. Pt 1 'Spirit Rising' is an exercise in astral-beat (that cosmic afro-beat to you and me) madness that sees Kushal Gaya getting crazy on the mic and the band play like their very existence depends on it. It slowly evolves into 'Spirit Dancing' finally succumbing to an eastern influenced cosmic super jam that sees the band going all out once again, concluding what has essentially being an epic journey of an EP. Can't recommend these guys highly enough. Super confident, excellently played liquid afro-funk at it's finest.
The long-awaited follow-up to Zun Zun Egui’s fast-selling debut 12” ‘Bal La Poussiere’ is a multi-coloured colossus that sees them once again bust beyond all rock band barriers: two epic tracks uncoil themselves across a side each, and both really up the compositional ante for the Bristolian/Mauritian/Japanese quartet, bursting forth with Vesuvian power and blooming like musical flora. Two tracks brimming with rolling sub-tropical grooves and atmospheres and a sense of the intrepid adventure that is shot through ZZE’s core. Side A’s ‘Speedball’ bounces in and richochets round a one hundred-cornered room of its own design: cavern-shaking psych, clawhammer rock, jittery east-African guitars and unlikely semi-rap braggadocio all get a look in before the track majestically ascends the sonic totem pole and passes over on a jet stream of feedback. Flip to the B and we find ‘Praise The Waterfall (Parts 1 & 2)’ which, so say band, paints the sound of “bonobo monkeys worshipping the sun by a waterfall”, and is a live favourite put to tape that swims in joy: elemental sonic washes give way to a devilishly simple passage of guitar-and-groove that seems to alter time, until the whole thing collapses into a Sly Stone soulful singalong that lasts barely a heartbeat, but is infectious enough to induce pox. The ‘Kass To La Sènn EP’ arrives in time for the first How Come...Tour (with Sun Araw) and crowns a year in which Zun Zun Egui have ripped up the musical sideroads in a blaze of liquid music and steaming peformances.
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