...according to our Business Lady on Thu 28 Oct, 2010.
London based 'bliss-rockers' Kontakte have a newie out this week, a three track ltd (100 copies) CD on Drifting Falling recordings. Now, I'm not familiar with their output so you'll have to excuse any ignorance on my part. I expected something more in the Drifting Falling shoe-gazy vein but this has more in common with the epic post rock shenanigans of 65 Days of Static or perhaps Vessels. On 'Superbug', Kontakte basically mix epic reverberant guitar tones with industrial-style beat programming. It's very cinematic and bold with elements of metal giving it that final 'credits to a Blade movie' feel. 'The Light Shining From A Window Behind Us' works it's magic around an emotive piece of solo piano before making way for final track 'Flight Paths', a flight of electronic fantasy that touches on the 80's yacht rock sound with it's soft synths and super-smooth production. It's the winner of the 'tune of the EP' award.
London bliss-rockers Kontakte continue their journey into the outer reaches of motorik rhythms and chimingly elevated guitar work with an EP which works around the theme in differing ways. “Superbug” itself boils over with tightly-wound energy, surging from twinkly psychedelic guitar melodies which dive off into shoegaze metal territory on a bedrock of cascading, weighty beats and a buzzing undertow. It’s reminiscent of the way Bowery Electric took the sound of ecstatic soaring guitars and made them throb to drum machine rhythms, but updated for a new century of technological beat-making, pulling off switchback returns until the final crash out.
“The Light Shining From A Window Behind Us” brings a benign uncoiling piano solo to the fore to introduce the final push into the reverse-engineered electronica of “Flight Paths,” where crossover keyboard reverberations trickle Harmonia-like into a langorous cloudscraping guitar line, all mellow and fruitfully calm until the music blossoms into the sort of sound which makes freefall dives into cottonwool spring to mind. But there’s a tricksy subtext here too, with interjections of chaos spilling the gentle mood briefly until the normality of the glissando is resumed.
...according to Rex Monday.
Derivative to the end. How many more post-rock by numbers bands do we really need?Quiet quiet quiet quiet LOUD repeat to fade.Pointless.
Rating: 1 out of 5So, what do you think? Best reviewer each month gets £10 off their next order!