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Clubroot - Remixes Volume 1 EP

Remixes Volume 1 EP by Clubroot

4...according to our on Thu 16 Dec, 2010.

Some remix action then kicking off with Drum and bass fellow SPL getting to grips with 'Sempiternal' making it a ridiculous heavy distorted techy wobblefest. A tough tune that'll get some bodies sweating. Anyone into the harder end of dubstep should have a sniff at this, it has the same appeal as folks like Ed Rush, Nico, DJ Trace etc. from back in the tech-step 90's but working within a dubstep tempo and frame work. Bryan Zentz I'm familiar with from his techno productions... This remix of 'Dulcet' I think may be his first foray into dubstep and the results are pleasant, a euphoric buzzing bassline with spacey sci-fi synths make for a cerebral, sweet tune. Canadian producer Kuma closes the set with another mix of 'Dulcet' full of ghostly sweeps and a tortured bass sound. Comes with CD and all.

Looking back at the two monolithic albums by Clubroot, many are challenged with the question of which they prefer. As for looking at the source material in another way (ie, the remix), the effect can be likened to a famed comedy actor suddenly demonstrating a commanding feel for deep drama. The tracks on this EP, and the elements that make them, are so rich and emotive in their own right that, when handing them over to other artists known for different musical shades, LoDubs had every confidence that further genius would emerge. And that confidence has been repaid in triple. A pillar of drum & bass, SPL has in the last few years been exploring dubstep, with some major successes in the sound under his belt (‘Storm In My Heart’ or ‘Masters Of Rave’, to name just a couple). Here, his remix of ‘Sempiternal’ transforms the track into a fearsome beast never before imagined. Bryan Zentz is a name synonymous with pure techno, with releases on just about any important label in the genre over the last decade and more. He started experimenting with techno-based dub several years ago, but kept his prototypes (mostly) unknown. Here he alloys those sound-lab discoveries to ‘Dulcet’, with a tinge of dark synth melody akin to 80’s minimal wave … and the results, natutrally, are outstanding. Vancouver producer Kuma is one of the original elevators of the modern bass sound in Canada – he was name-checked in Mary Anne Hobbs’ now-legendary first Dubstep Wars radip special, and has released on Immerse and his own Konspiracy imprint. In his spooky and avant-garde-esque treatment of ‘Dulcet’, the ghosts hidden within the track come into view. In keeping with the established LoDubs tradition, this limited 12” comes with a free CD of all tracks, packaged in black jacket with silver hand-stamp.

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