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The Third Eye Foundation - The Dark

Our album of the week (12th November 2010)

The Dark by The Third Eye Foundation

5...according to our on Thu 11 Nov, 2010.

Aw man, the dark lord Matt Elliott is back with a brand new epic new album on Ici D'ailleurs. After a big hiatus from recording as the TTEF, filling in the gap with a few ace solo albums, he's back! It's fantastic too. In a nutshell it's full of swirling melodies laid over drum 'n' bass beats. It sounds like he's carried on with the orchestral business present on his solo albums, all covered with some mangled, fractured, splintered beats. I love this album but some folks will find it a difficult listen as it's kinda oppressive and not massively easy listening. The melodies are lush though, and over the five tracks (which all seemingly merge into one) you get sucked into a dark world of paranoia and beauty at the same time. Quite a feat I reckon, as I'm sure that's not an easy thing to do. There's loads of strings in there to keep me happy and you neo-classical heads who fancy a a bit of a "large-up" might dig this. The undercurrent reminds me of the old Spymania stuff but with haunting classical arrangements carefully layered over the tracks. It's done brilliantly, and with song titles like 'If you Treat Us All Like Terrorists We Will Become Terrorists' it probably gives you an idea of what you're letting yourself in for..... He's not a happy chappy and this is not a happy album but there's some delightful moments in there. I can't wait to take it home and check it out on vinyl!

For almost 10 years the only music emanating from Matt Elliott's guise as The Third Eye Foundation has been the odd remix here and there, providing no sequel to Little lost soul -Arguably their most musical LP- merging melancholic images and voices from the past with the modernity of manipulated soundscapes. The progression from Semtex and Ghost, his firsts two LPs to the later You Guys Kill Me and Little Lost Soul is obvious: The aggression and layers of noise recede album by album, there is less abrasion to hide behind and piece by piece the heart & soul of the man behind the music is laid bare.The latest instalment, the much anticipated album The Dark reflects details from the span of Elliott's output as The Third Eye Foundation and the culmination of his never ending musical studies. The essential Third Eye elements are all represented: the dark but intricate atmospheres, the head spinning beats, the walls of sound swelling and receding and a pounding, thundering bass. The Dark is both a direct continuation on from Little Lost Soul and a definite move in a new direction. The shape and the soul of The Dark is at the same utterly classical and contemporary. Made up of five movements which merge into one another seamlessly, at times thundering dub-step, at others pulsating drum and bass at others a blissful soundscape at other points a combination of all of those elements and more: Throughout the album the voices never end, swooping in, whispering, screaming. Voices from throughout the world and time echoing the cries of our collective unconscious stretched and pitched, so you can hear with precision the emotion expressed, the details of their pain, their joy, their sadness, and their anger. Then there are the haunting strings, the deep brass, other unidentifiable instruments all twisted together. The Dark is a definitive piece of music at the same time tortured and yet romantic, reflecting the loss and the joy, the sin and the repentance, the despair and the optimism that all thinking people feel. Add to this the individual talents of Louis Warynski (Chapelier Fou) & Chris Cole (Manyfingers) both multi instrumentalists and both playing an essential part of  the classical instrumentation on the album, twisted at some points beyond all recognition by the orchestrations of Matt Elliott and the result is an intense ride, a trip to the centre of the soul, not always comfortable but you will feel all the better for having done it. The music is echoed perfectly by the artwork of long time collaborator and arguably the greatest living visual artist Uncle Vania, and just as with the artwork, no Third Eye Foundation album has ever been so clear or so dense. These five movements, united by their low-key aspect, show a unique personality, proving for once and for all the inimitable style of The Third Eye Foundation.

Tracklisting:

1. Anhedonia, 2. Standard Deviation, 3. Parcidolia, 4. Closure, 5. If you treat us all like terrorists we will become terrorists

4...according to .

The Dark is the new release by The Third Eye Foundation, the work of Matt Elliot. It’s the third album in his most recent trilogy of work, released on the label Ici D’Ailleurs.

The whole of the first three tracks is is built around a single melody theme. An orchestra playing a sweeping, grand, melancholy phrase over and over as though they’re stuck in a loop of gathering darkness and storms with repetitive phrases of half-heard singing. It has the quality of dreamlike nostalgia, reminding me of The Caretaker or D_radio but with destroyed beats and really dark, pounding subsonics it is also a fair few worlds away.

This theme of the first three tracks metamorphosises so slowly, adding phrases, building with other sounds decaying – literally destroying themselves like old tape losing its coating – I didn’t realise what was happening at first, being pulled along by this soundscape. The droning of strings, woodwind and vocal passages, underlies all adding an unsettling, discordant air to proceedings.

Then the clouds break with sorrowful strings and electronically mashed beats build up a new uplifting feeling of light. Almost like the collapse of memories, it sounds desperate and chaotic. All the while the strings maintain their melody whilst around them structures crumble. The beats turn into a euphoric drum and bass by the final track, providing a sense of release from the darkness.

This latest Third Eye Foundation album is an intense and moving experience, leaving me feeling mentally drained by the end but it’s a journey worth taking.

 

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