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Trembling Bells - Abandoned Love

Abandoned Love by Trembling Bells

4...according to our on Fri 23 Apr, 2010.

Trembling Bells return with another record, this time on the lovely Honest Jon's label (I thought it was a re-issue label but there you go...). Abandoned Love sees the group expand on there Fairport Convention/Bonnie Prince Billy/Irish folk formula with muchos enthusiasm. I'm not a big fan of this sort of thing but it's obvious that trembling Bells no what they are doing. Their music has that untouchable, transcendental quality that puts it beyond critisism in my eyes. Refreshingly modern sounding whilst gently nodding to all that has been before, Trembling Bells records are remarkably respectable of their historical roots but maintain a foward thinking attitude their compositions. Add to the mix a highly competent boy/girl singing duo and you've got yourself a modern folk-rock classic that'll have all you purest out there pissing you're pants with joy. This is Alex Nielson's band by the way...I didn't know that, but now I do. He's a good lad that Neilson.

Here's Joe Boyd (who produced Pink Floyd, Nick Drake, John Martyn, Shirley Collins, The Incredible String Band, Vashti Bunyan, Brotherhood Of Breath, and others) —

'I’ve always been a sucker for music that can’t be categorized, particularly if it’s intelligent as well. Trembling Bells stuck out a mile from a list of groups I was asked to consider for a concert I was organizing in the summer of 2009. For a start, the music was more than just ‘live in the studio’, it was alive and you don’t often hear that these days.

'A lot of that came from the drums. It isn’t always a good thing if the drumming is the first thing you notice on a record, but in this case it was. Inventive, original, devoid of cliche; it made sense when it turned out Alex Neilson wrote the songs and had started the Bells.

'I was also startled by Lavinnia Blackwall’s vocals, which come from a time past when girls with trained voices took up the guitar, grew their hair long and sang ballads. I never liked that kind of singing much, but to my surprise I enjoyed her singing a lot.

'When talking about Trembling Bells, we eventually must confront the F word. I would argue that they incorporate in their music the essence of ‘folk’ without the form that can annoy many listeners. That means that their lyrics and melodies have a sense of history and Britishness that most contemporary bands lack, but without any of the ‘heritage’ atmosphere that clings to even the best revivalists in the folk world. Neilson’s lyrics weave rural imagery with edgy romanticism and cultured references. For example:

When I held you in my arms like lovers do, I’m told
I was reminded of a shipwreck victim’s hold
While a million distant suns illumind darkest night
I will nominate you polestar of my life

Or

My lover, my gold oriole in the morning
Golden-throated song thrush singing
Eidetic finch first spied on by Darwin
A lover’s arms, a child’s smile, a man’s good gift of love
She gave them to me, I give them to you.

'Trembling Bells – Neilson, Blackwall, guitarist Mike Hastings and Stephen Shaw on bass – are that rarest of beasts, a one-off. Modern technology is supposed to grant us an unlimited palate of synthesized sounds and a opportunity for everyone, even the most unusual, to get a hearing. Funny that; everything seems to sound so similar! So treasure these Bells, swimming so strong on their own tide.'

Tracklisting:

Adieu, England
Man Is As A Garden Born
Baby, Lay Your Burden Down
Did You Sing Together?
September Is The Month Of Death
Love Made An Outlaw Of My Heart
Ravenna
All Good Men Come Last
Darling
You Are On The Bottom (And The Bottle's On My Mind)

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