...according to our Clinton on Thu 29 Apr, 2010.
All the indie music from 1986-1990 is coming back around so quickly that even the band names are identical. For a moment there I thought that The Brilliant Corners had reformed. Anyway this is just a poor re-tread of the cutie/indiepop sound. Go and seek out the original stuff like the Black Tambourines not these tone deaf wannabes. Sorry!
San Francisco s Brilliant Colors have staked out a unique spot in the indie music landscape. Inspired in equal parts by DIY post-punk fervor and the spiky pop of C86 and early Flying Nun / Creation label output, they hearken back to a time when the best tunes came out on 7-inch singles and weekends were spent digging through the stacks at your favorite local recordshop. Their 2009 album, Introducing, is one of the finest debuts in recent memory, combining guitar buzz with dreamy melodies and rushing rhythms into some unlikely combination of The Dils and Shop Assistants.Now the band is back with their first new recordings since thatgreat album, and boy, are they winners. Never Mine is two minutes of punk-pop perfection singer/guitarist Jess Scott's spare riff underpinned by Diane Anastasio s steady thump and Michelle Hill s busy, melodic bassline. It s Brilliant Colors in a nutshell: crunchy garage punk played with total purposefulness,leavened by an instinctive pop sense. On the flip side, the pace picks up for Kissing s Easy : all rolling snares and frantic guitar strum and Scott s echoey vocal sass. Like all the best classic punk tunes, it s over just a little too soon, leaving one no option but to turn over the record and play it all again.Recorded with DIY simplicity by Ty Segall, who knows a bit about garage pop himself, the minimal sound fits the band's tunes like a glove. This great single hones Brilliant Colors spiky, angular crash-pop and points to a very interesting 2010 for the trio.
Be the first to review this record. Best reviewer each month gets £10 off their next order!