...according to our Ant on Fri 12 Feb, 2010.
Red Cable Sunday is the artist name of Denis Fernando who has a 7"/ CD single out on Fidelista Records which precedes the forthcoming 'The Stolen Hours' album. It's a genuinely lovely and heartwarming piano piece full of emotion and drama. The label says "... evoking George Gershwin, Michael Nyman, Philip Glass, Max Richter and Debussy along the way" and who I am I to disagree as this modern classical piece is extremely accomplished and the work of a super talented musician. 'Warflowers' is simultaneously dark and uplifting and listening to it I really get the feeling that we'll be hearing high praise for this artist. The CD comes with an accompanying video. Reading the press release for the record really gave me shivers and made me appreciate where Fernando is coming from. Well worth your attention if you've been enjoying a lot of the modern classical stuff that's around at the moment.Red Cable Sunday releases debut single Prelude to the Nocturne, evoking
George Gershwin, Michael Nyman, Philip Glass, Max Richter and Debussy
along the way.
Prelude to the Nocturne typifies the Red Cable
Sunday manifesto – a deliciously dark re-writing of the idea of
blackness, it is an abstract and otherworldly piece of grand piano
magic, starting in the sunlight and ending in twilight, it conjures
images of big cities like London and sings of the adventure and
exhilaration of darkness and the night, the perfect antidote to the
poisonous idea that blackness and darkness are evil – an idea
originated by Malcolm X that still needs promoting today.
Red
Cable Sunday founder Denis Fernando says: “When bands talk about their
music being ‘darker’ they usually mean bleaker, miserable and
negative. As a black person, I have had to challenge that idea all my
life – the most beautiful part of this song is its ‘darkest’ part - a
reminder that for some of us darkness has been, is and always will be
beautiful”
Denis graduated at Goldsmiths College in London, was
the National Black Students Officer on the executive of the National
Union of Students, and before becoming an anti-racist campaigner. Denis
has composed, arranged and performed music all his life; the band takes
its name from the battle for Cable Street in the 1930s East London
where he based himself as a full time anti-racist activist for the best
part of the last decade.
“With the economic crisis creating
upheavals, it seemed timely to create something that harked back to the
great depression era – as a reminder that there was art at the time
that did not lose its humanity, even when the world was losing its
financial security and fascism was about to grip Europe.”
"It
means a lot to me as it shows that the evil of fascism can be defeated
by ordinary people –I have met people in their nineties now, who were
young people in the 1930s, defying the British Nazi equivalent, the
Blackshirts, who were protected by the police. It is truly inspiring."
says Denis.
"It is especially relevant for us as it was the
joint effort of the Jewish, Irish and trade union activists that
stopped them. Today we have the fascist BNP making gains in East London
and across the country, attacking vulnerable groups such as asylum
seekers and demonising Muslims. We've seen where this leads before when
Hitler scapegoated the Jewish people- we need the spirit of unity and
activism against fascism that brought people together on Cable street
to stop them in their tracks today."
This summer Denis filmed
the video for Prelude to the Nocturne – Live Across London’ performing
live on the streets of London as part of the Street Pianos project by
artist Luke Jerram – “Its great to see such a positive vibe for
spontaneous live music at a time when the digital media dominates”
Denis says. Whether its on Resonance FM, the streets of London or
via the internet, Prelude to the Nocturne is picking up fans from every
background into all types of music, underlining the ethos that you
cant keep a good tune down.
FYI RADIO :
"Prelude to the
Nocturne is a fundamentally moving track that sends shivers through the
spine from the opening bar...Denis effortlessly expresses emotions
through the trickling of his fingertips."
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