3 Shades is a collective of musicians (and guests) that one could call
a "Supergroup". Based in and around Munich/Germany the group was
founded 9 years ago. Famous for their rare but exciting live
performances it was just a question of time before they released their
debut album. And they had time. But now the waiting is over and "Thank
God For Beatniks" is ready to enter/penetrate your ears.
3 Shades are four well-known musicians - in Munich, Europe and around the world.
First
we have Ivica Vukelic (Dis*ka, Die Regierung, Ligthnin' Ivi, well known
dealer of vintage bicycles, cook and promoter of the famous Club2) on
guitar, pedals and vocals. Carl Oesterheld (Carlo Fashion, F.S.K., MS
John Soda, Tied & Tickled Trio) plays organ, harmonium,
glockenspiel, metalloph. Markus Acher (The Notwist, Tied & Tickled
Trio, Village of Savoonga, Lali Puna, 13 & God) plays drums, organ,
percussion and sings. His brother Micha Acher (The Notwist, dem Tied
& Tickled Trio, MS John Soda) plays bass, organ, trombone and
trumpet. on and percussion.
On their debut record "Thank God For
Beatniks" the band explores soundscapes, rhythm-patterns and moods in
mullticolored shades. Some of them filled with whirling sunbeams,
others covered with smokey dust.
The opener "Bombay Can" sets the
key. A throbbing as well as bitter-sweet harmonium lures you into a
hypnotic groove-monster, filled with echoes from the past and future.
More spin around melodies are offered on the next track: "Subsequently"
with hiphop activist Fat Jon as on guest vocal. And that's a good
choice. Because without his thrilling spoken word rap this number would
suck you in and never spit you out again. "El Topo", named after the
famous Western by Alejandro Jodorowsky from 1970 is simply like the
movie. A surrealistic trip into a psychedelic desert, filled with audio
hallucinations, a jazz mirage and some obscure ecounters with mexican
border experiences. More psychedelic moods, but with a darker color
offers "Tiny Bits Of Terrible" with guest vocalist and spoken word
legend Mike Ladd. At first, it sounds like we have entered into the
wonderland of little Alice, but the beats are dented,, the whizzing
sounds are too eerie and nearly everything is filled with smoke. And
don't forget the voices inside your head. It's sheer madness that rules
this Neverland. And so "Thank God For Beatniks" gives you a break. This
tune gives the record a new tone. Based on lyrics by Afro-American
beatnik pioneer Bob Kaufman it opens the Sunday morning regions of
beatnik lifestyles. And here everything is possible. Like in "Sometimes
Up" - just listen to the abstract ambient sounds transform into a
melancholic lovesong. "Counting The Days" sets the scene in some kinda
beatnik kitchen. Guest vocalist Jihae Jean Meek (The Royal We, The
Champagne Socialists) sings like the night was long and the acoustic
guitar makes noises far beyond the simple string sounds.
But
above all this is music as a collective happening. 3 Shades share no
love and interest in egomanic and individualistic expression.
Maybe
it's some kinda jazz. But spelled wrong and with other results. Maybe
it's a quest for all the promises made about music and freedom.
"Thank God For Beatniks" is not an answer to all these subjects, but 3 Shades asks the right questions.
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