...according to our Phil on Fri 16 Oct, 2009.
Robert Pollard is like a musical cow... Milk his petite man-like udders and out pops a new album... He really has to be the most prolific artist of recent years? I can't think of anyone else who has done as many records and side projects? Whenever I hear one of them I always really enjoy it but the thought of collecting his works fills me with fear. The Boston Spaceships is his new thing and we've got an album in called Zero To 95. It could sound like any of his other albums from the last ten years for all I know. I've probably heard about 10 of them and they're all much of a muchness. I like 'em but to me they're like identical twins.... There's some smashing songs on this new album anyway. 'Radical Amazement' sounds like vintage Pollard. He's a man who doesn't veer his sound too much. You know where you are with a Robert Pollard record and when you're in the mood for his lazy strummy shambling style of pop you'll think it's the best thing ever. Oh and I've just noticed peter Buck from REM plays on the album and there's 6 very small pictures of naked women on the sleeve.Boston Spaceships Zero to 99 is quintessential Pollard, a recordthat holds its own alongside widely acknowledged classicslike Guided By Voices Bee Thousand, Alien Lanes, and Underthe Bushes Under the Stars. One gets the sense that Pollard ishaving the most fun he s had in decades, before he was pulled reluctantlyfrom obscurity and thrust into the limelight with GBVin those heady, post-Nirvana mid-1990s. The Boston Spaceshipshave not only landed; they re conquering the goddamn planet. Is everybody happy now? Pollard defiantly screams on theopening track, as if he knows this is this record that longtimefans have been waiting for. So it s perhaps ironic that he confirmsthese suspicions with track two, How Wrong You Are, an anthemic Pollard insta-classic that proves quite quickly justhow right listeners are to get excited. From the moment the firstchorus begins, Pollard digs his hooks in deep and never lets go,culminating in a raucous sing-along reminiscent of the Youare forgiven refrain in The Who s A Quick One While He sAway. Zero to 99 barrels like a freight train from there, deliveringtrack after track of vintage Pollard pop rock, with a band more than up to the task of helping to fuel the engine. Fromthe Buzzcocks-esque guitars on Found Obstruction Rock n Rolls, to the Keith Moon-ish, Tommy-era drums of QuestionGirls All Right, to the McCartney-like bass riffs on TrashedAircraft Baby that would fit right in on Abbey Road, Zero to 99is a 37-minute feast for fans of classic pop / punk rock.
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