...according to our Brian on Thu 01 Oct, 2009.
Blue Sabbath Black Cheer are responsible for my allocated Noise record of the week. Thanks guys. They've put a most intriguing horned beast on the cover of their latest horror-core waxing which initially sounds like rotting tapes of a seance in a freezing abattoir next to a haunted disused train station. That's at 33 1/3rd anyway. It's probably supposed to spin at 45, i'll try the next track at that shall I? Oh, razor sharp feedback, please desist from hurting my ears so much whilst you hurl around in a vortex of shrill hatred and you can tell that screamy type bloke that his dear mum just rang up to ask if he wants the crusts cut off his cucumber & cress sandwiches. Nobhead. However, as a noise record it's most effective is this, proper wanabee satanic shit that's up there with some of the best misanthropic Wolf Eyes speed sludge, but on a Wednesday afternoon when I feel a bit run down & weary i just want to punch its noisy hateful face clean off. That's why i'm UNMOVED and I simply can't face side 2 which may be the finest thing ever committed to vinyl.Side A features 2 live tracks originally released on the "Dead" c20 on Scumbag Tapes: a live version of 'Borre Fen' recorded at the Baltic Room in Seattle Washinton, on Sept. 26th, 2006 & 'Black Acid' recorded Oct. 22nd, 2006 at the Funhouse in Seattle, Washington.
Side B features 'Victim' recorded live at the Rebar in Seattle, Washington on Dec 23rd, 2006, originally released on the "Feral Debris Vol. 2" CDr compilation + 'zine & a previously unreleased track recorded and mixed back in 2007.
Black vinyl, black hand-stamped labels, comes housed in a pro-printed jacket with a gruesome spot-varnished photograph, by Stan Reed, on the front.
Includes an 11x11" insert. Edition of 500.
Split label release: Gnarled Forest & Troubleman Unlimited
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