Idlewild’s 'Post-Electric Blues' an indie-rock album of Boss-like bombast, flecked with 70s synths and dashes of brass. It's an album that leaps from Fleetwood Mac epic folk/rock/pop peaks into joyous Loch-side sing-a-longs. It's the sound of a deft and defiant band exploring soundscapes whilst finding hooks and generally, genuinely and quite clearly, having a fookin good time.
When the coke-shrivelled testicles of Brit-pop were still in full-swing, Idlewild were dropping out of art school and ingesting Fugazi, Superchunk "...and all those small bands on American indie-rock labels."
Unlike most modern bands they've been able to develop into the tamed beast that purrs like James Dean's Harley. They have toured and toured, found fans, picked up gold and silver sales discs, scored top 10 singles, released a Best Of and a B-Sides collection, not to mention finding themselves atop various year-end lists either of side of Atlantic, across Europe, in Japan and pretty much everywhere else in the known universe.
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