Recommended by us on 12th November 2009
...according to our Phil on Thu 12 Nov, 2009.
C Joynes has a new album out on Bo Weavil. This, his 2nd album for Bo Weavil is called 'Revenants', Prodigies & The Restless Dead (very Fahey esque) and on first listen it sounds well nice. I often struggle with reviewing a lot of acoustic guitar folk as it's really hard to do a review without mentioning John Fahey. In fact I've already used his name twice now! There are elements of the great man in his work but if you spend a bit of time with this you'll hear a lot more. The delicate slightly detuned banjo tones of 'I Love You Hanny Fuji' are delightful. It's a beautiful piece of work. The African influenced clattering 'Nyambai Sawmill' is another fine example of someone doing their own thing. The album is very varied considering it largely consists of acoustic guitar so there's plenty to keep you going with each repeated listen. Well worth checking out. Excellent stuff!!"C Joynes is a musician whose playing has consistently invoked a broad and shifting stream of inspirations. As a guitarist, there is no doubt the Joynes has been influenced by some of the most idiosyncratic finger-pickers of the last 40 years and beyond, but his music goes far beyond simply this. His recordings have always offered many dimensions for the listener to explore, be it through solo acoustic pieces, larger ensemble work, or the intimate use of improvisations and hill recordings. Building on previous albums, ‘Revenants, Prodigies & The Restless Dead’ is a more expansive affair. Joined on a number of these tunes by an assortment of friends and collaborators, a range of acoustic and vintage electronic instruments all make appearances, gradually fleshing out some of the ideas and direction that Joynes clearly has imprinted in his mind’s eye, adding colour and hue to some of these beautiful compositions. While Joynes remains at home with English and American forms of folk music, the twelve pieces on this album continue to demonstrate the extent to which other traditions, both eastern and western, have an equal and instinctive pull on his music. Listen to the detuned and prepared guitar of ‘Nyambai Sawmill’, which seems equally drawn out of late 60s classical experimentalism as it does to sounds from the Western Sahara."
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