Back in 1968 a pair of Germanic behind-the-scenes sound
librarians called Horst Ackermann and Heribert
Thusek left a tiny, but indelible pinprick on the history of
German pop in the misshaped form of a sexy horror cash
in concept album called 'Dracula’s Music Cabinet'.
Shelved at a micro cosmic axis where krautrock meets
lesbian vampire horrortica and easy listening meets
psychedelia the delayed reaction of this mutant
concoction eventually exploded in the mid 1990s.
Luckily for some, Ackermann and Thusek were also
creatures of habit. And it wouldn't take a genius to figure
out that they were holding the next dose, but by the turn
of the millennium the mad scientists had been given a 35
year head start on the pop archeologists and their
mythical sequel was literally light years ahead of
their previous draconian installment.
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