TRACKLISTING: 1 Blacklist, 2 11.38, 3 Dead Lazers, 4 Lezard, 5 Red Sign, 6 Rezozero, 7 Batcaves, 8 Blue Screen, 9 Human Pills, 10 Plague, 11 Blonde Roses, 12 Acid Eyes,
OVERVIEW: Kap Bambino's third album, 'Blacklist', marks the boldest and bravest moves the duo have made to date. Perhaps the biggest curve ball they could have thrown would be to go pop, which is just what they've done, well, kind of. It is, as Caroline points out, "Kap Bambino after all". 'Blacklist' is twelve tracks of deranged, maddening melodies and propulsive head-nod rhythms, taking the group's trademark concoctions and placing it amidst a setting that wouldn't look out of place in a stadium or headlining a festival. Caroline's vocals are brought centre stage, never have they sounded so clear, crisp and defiant. Whilst Orion's production alchemy sounds like the work of a regal orchestra of androids, soundtracking an Armageddon-inducing war.
Unlike most assaults of lawless rock'n'roll ideals, Kap Bambino's sound is not powered by guitars, or rather any live instruments whatsoever. The empowering eruption of frenzied discordance, space invader sucker-punch beats and caterwauling incantations conjured by the Bordeaux duo, Caroline Martial and Orion Bouvier, is the result of harnessing the unruly spirit of bands like Suicide and Nirvana, then feeding it through a tangled web of samplers, synthesisers and software modules. The result is a more immediate, more kinetic and more inspiring show than your likely to witness from any of the baggy-shorted buffoons 2009 tries to throw up as punk-rockers.
Be the first to review this record. Best reviewer each month gets £10 off their next order!