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Omar Souleyman - Highway To Hassake: Folk & Pop Sounds of Syria

Recommended by us on 29th May 2009

Highway To Hassake: Folk & Pop Sounds of Syria by Omar Souleyman

5...according to our on Thu 28 May, 2009.

Omar Souleyman makes triple bonkers music. Knowing next to nothing about Syrian music I can't really vouch for whether Highway to Hassake (apparently out of print on CD but now in on super heavyweight Sublime Frequencies double vinyl) is actually any good because I've got no local frame of reference for it but what I can tell you is that it's immensely entertaining and probably about the busiest shit you'll ever hear in your life. Ridiculous twiddly synth lines snake all over the place, run into each other, forget where they're going, turn around and go back to the beginning, vomit in the shoes of the cheapo beats and generally confuse the fuck out of you while some perma-sunglassed don MCs with supreme authority using words I don't understand. It's something you just need to hear for yourself really. Don't try to play it at 45rpm though, your head'll probably explode all Scanners like. I'm one of you. You're one of me?

Previously released on CD by Sublime Frequencies in 2007, now available on 2LP. Omar Souleyman is a Syrian musical legend. Since 1994, he and his musicians have emerged as a staple of folk-pop throughout Syria, but until now they have remained little known outside of the country. To date, they have issued more than 500 studio and live-recorded cassette albums which are easily spotted in the shops of any Syrian city. Born in rural Northeastern Syria, he began his musical career in 1994 with a small group of local collaborators who remain with him today. The myriad musical traditions of the region are evident in their music. Here, classical Arabic mawal-style vocalization gives way to high-octane Syrian Dabke (the regional folkloric dance and party music), Iraqi Choubi and a host of Arabic, Kurdish and Turkish styles, among others. This amalgamation is truly the sound of Syria. The music often has an overdriven sound consisting of phase-shifted Arabic keyboard solos and frantic rhythms. At breakneck speeds, these shrill Syrian electronics play out like forbidden morse-code, but the moods swing from coarse and urgent to dirgy and contemplative in the rugged anthems that comprise Souleyman's repertoire. Oud, reeds, baglama saz, accompanying vocals and percussion fill out the sound from track to track. Mahmoud Harbi is a long-time collaborator and the man responsible for much of the poetry sung by Souleyman. Together, they commonly perform the Ataba, a traditional form of folk poetry used in Dabke. On stage, Harbi chain-smokes cigarettes while standing shoulder-to-shoulder with Souleyman, periodically leaning over to whisper the material into his ear. Acting as a conduit, Souleyman struts into the audience with urgency, vocalizing the prose in song before returning for the next verse. Souleyman's first hit in Syria was "Jani" (1996) which gained cassette-kiosk infamy and brought him recognition throughout the country. Over the years, his popularity has risen steadily and the group tirelessly performs concerts throughout Syria and has accepted invitations to perform abroad in Saudi Arabia, Dubai and Lebanon. Omar Souleyman is a man of hospitality and striking integrity who describes his style as his own and prides himself on not being an imitator or a sell-out. Sublime Frequencies is honored to present the Western debut of Omar Souleyman with this retrospective 2LP of studio and live recordings spanning 12 years of his career, culled from cassettes recorded between 1994 and 2006. This collection offers a rare glimpse into Syrian street-level folk-pop and Dabke -- a phenomena seldom heard in the West, not previously deemed serious enough for export by the Syrians and rarely, if ever, included on the import agenda of worldwide academic musical committees. This is a 2LP version of the CD release housed in a full-color gatefold sleeve and coinciding with Omar Souleyman's tour of the UK and Europe in May/June of 2009.

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