Last year we announced the birth of this fantastic new band from
Montreal. Menace Ruine came out of nowhere with a debut release that
fused black metal and noise to astonishing results. Only eight months
later, here they are with the follow up to their debut, “Cult of
Ruins,” and a drastic change in sound. “The Die is Cast” sees the duo
eschewing the howling vocals and blast beats and replacing them with
majestic songs based around the vocal style of Genviève and the
anthemic medieval music that bares much more
resemblance to
Neo-Folk than Black Metal. The band’s sound is far more approachable
this time around, yet remains challenging at the same time. Somber
tunes propelled by slow-paced martial percussion, ambient electronics
and droning feedback are carried by an incredibly powerful vocal
performance by Geneviève. Menace Ruine set out to make a concept record
based around medieval music, without sacrificing their intensity and
they have managed to do so with gloriously. With the current wave in
the popularity of black metal, it seems some of the more fringe genre’s
such as neo-folk are also gaining more notoriety. Recently, American
Black Metal bands such as Leviathan and Nachtmystium have paid tribute
Death in June by covering a couple of their martial anthems on recent
outings. Menace Ruine have taken that one step further by doing an
entire recording in that vein. Folks familiar with Menace Ruine will be
surprised when they hear The Cast is Die, but will still be able to
connect to the band. The band is preparing to start working on a
collaborative release with Japanese noise legend Merzbow, set for
release in 2009. Over the last year the band has been very active and
performed live with the likes of Thrones, Nadja, Wolf Eyes, Daniel
Menche, Francisco Lopez and Sightings and will soon open up for
Watain. The release of the Die is Cast will also see the band making
their first series of shows outside of their hometown of Montreal.
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