Apalusa
Obadiah


Cover art for Obadiah by Apalusa Description: CD edn of 300 on Low Point Records
Format: CD
Label: Low Point
Price: £6.49
Cat#: LP021
Availability: despatched in 2-5 working days (on average!!)

Rating: happy
This record left our Phil feeling happy.

Onto the delightful Apalusa on the ever useful Low Point label. Obadiah is packaged in a lovely letterpress 'arigato pack' in an edition of 300, so from the off it's a bit sexy looking like. Here we have 3 tracks of droney tunes which veer on the dark side of things. For me the obvious comparison here is some of the earlier Stars of The Lid music before they went more classical. Throbbing low end droney bass with some lush sounding feedback combine to make a really thundering warm sound. Listening to it on headphones it's proper taking me somewhere else as well which I like.... It's one of those floating in space records which you shut your eyes and imagine you're off there floating about minding your own business. Though there is a certain ominous presence on there hence me saying it veered on the dark side of things. It's fantastic though and if you're into drone music this is one of the best things I've heard in ages. Excellent!!

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What their label says...

Following on from his warmly received cdr releases of 2007, ‘Obadiah’ is the second full length album by Apalusa, aka Nottingham based musician Dan Layton.

Over the course of 50 minutes, these three long-form tracks focus on darker territory than previous releases, with sub-bass rumbles and minor-key chord progressions augmenting the multiple layers of Apalusa’s trademark processed guitar drones and field recordings to form an all-encompassing listening environment.

With Layton’s use of raw sounds and processing techniques now forging an identity for himself which is very much his own, the end result is the most focused and realised Apalusa release to date.

CD packaged in a letter-pressed 'Arigato Pak' card sleeve courtesy of Stumptown Printers of Portland, Oregon.  Ltd edition of 300 copies. 

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