Our recommendation for the hearing impaired: ECHOKRANK.
Ear drum
piercer Brezel Göring and thrash lout „Hotleg“ have committed
themselves to a reckless and impulsive mix of Dub-Psycho-Speed-New
Wave, action film soundtracks and 50’s Musique Concrète. For several
years, these two desperados have hacked their way through the
unpredictable weeping fistulas of post-industrial easy listening. In
doing so they combine genre-spanning arranged marriages and
acceleration of track playback speed. The music is played on children’s
toys and fleamarket trash. Consequently their more or less ordered
noises, erratic arrangements and bizarre sequences mutate into an
amorphous Gesamtkunstwerk.
Brezel Göring’s 2003 debut on Gagarin
Records caused high blood pressure among intransigent fans. His hit
„Geliebt und doch nicht gefeuert“ (Loved yet not fired) was released as
a 12 inch on the Belgian label „Surprise“ and defiled with dance
exercise remixes.
ECHOKRANK shine a light on the ugly side of
the entertainment industry, getting moody people in the mood. The
declared goal of this music is to bring chaos to order. It is an
official tribute to the irregular, the classic freakout: sound tremors
don’t rebel against the lack of innovation but against the audio events
themselves. If it’s true that today’s defects will be tomorrow’s
successes, then these are the defective hotshots of tomorrow. Always
too much and never enough, going over the top, no matter how far,
reducing to the max: these foundations make or break the whole affaire.
It is magnificent that such a record is released in an era that
generally lacks beauty, elegance and grace.
ECHOKRANK raise
ambiguity to an art form. The songs meander, and consciously induced
no-win-situations arise based on the understanding that nothing is more
senseless than economic competition and the bourgeois inclination to
conformity. We become witnesses to an unstable whole which could perish
at any time. Anti-music and gliding tones pass the deformed musical key
from hand to hand, unlocking the floodgates to an inferno of
irresponsibility. The band seems to be contented: „At least this keeps
the idiots away from us.“
And what remains? – our hearing suffered.
Listening is a matter of attitude.
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