Description:	CD on Sublime Frequencies
	Format:	CD
	Genre(s):	World/Traditional
	Label:	Sublime Frequencies
	Price:	£16.99
	Availability:	In stock. Dispatched in 1 working day.

5
...according to our Brett on 28 May 2009.

Omar Souleyman makes triple bonkers music. Knowing next to nothing about Syrian music I can't really vouch for whether Highway to Hassake (apparently out of print on CD but now in on super heavyweight Sublime Frequencies double vinyl) is actually any good because I've got no local frame of reference for it but what I can tell you is that it's immensely entertaining and probably about the busiest shit you'll ever hear in your life. Ridiculous twiddly synth lines snake all over the place, run into each other, forget where they're going, turn around and go back to the beginning, vomit in the shoes of the cheapo beats and generally confuse the fuck out of you while some perma-sunglassed don MCs with supreme authority using words I don't understand. It's something you just need to hear for yourself really. Don't try to play it at 45rpm though, your head'll probably explode all Scanners like. I'm one of you. You're one of me?

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What their label says...

Omar Souleyman is a Syrian musical legend. Since 1994, he and his
musicians have emerged as a staple of folk-pop throughout Syria, but
until now they have remained little known outside of the country. To
date, they have issued more than five-hundred studio and live-
recorded cassette albums which are easily spotted in the shops of any
Syrian city.
Born in rural Northeastern Syria, he began his musical career in 1994
with a small group of local collaborators that remain with him today.
The myriad musical traditions of the region are evident in their
music. Here, classical Arabic mawal-style vocalization gives way to
high-octane Syrian Dabke (the regional folkloric dance and party
music), Iraqi Choubi and a host of Arabic, Kurdish and Turkish
styles, among others. This amalgamation is truly the sound of Syria.
The music often has an overdriven sound consisting of phase-shifted
Arabic keyboard solos and frantic rhythms. At breakneck speeds, these
shrill Syrian electronics play out like forbidden morse-code, but the
moods swing from coarse and urgent to dirgy and contemplative in the
rugged anthems that comprise Souleyman's repertoire. Oud, reeds,
baglama saz, accompanying vocals and percussion fill out the sound
from track to track. Mahmoud Harbi is a long-time collaborator and
the man responsible for much of the poetry sung by Souleyman.
Together, they commonly perform the Ataba, a traditional form of folk
poetry used in Dabke. On stage, Harbi chain smokes cigarettes while
standing shoulder to shoulder with Souleyman, periodically leaning
over to whisper the material into his ear. Acting as a conduit,
Souleyman struts into the audience with urgency, vocalizing the prose
in song before returning for the next verse. Souleyman’s first hit in
Syria was "Jani" (1996) which gained cassette-kiosk infamy and
brought him recognition throughout the country. Over the years, his
popularity has risen steadily and the group tirelessly performs
concerts throughout Syria and has accepted invitations to perform
abroad in Saudi Arabia, Dubai and Lebanon. Omar Souleyman is a man of hospitality and striking integrity who describes his style as his own and prides himself on not being an imitator or a sellout.
Sublime Frequencies is honored to present the Western debut of
Omar Souleyman with this retrospective disc of studio and live
recordings spanning 12 years of his career, culled from cassettes recorded between 1994 and 2006. This collection offers a rare glimpse into Syrian street-level folk-pop and Dabke– a phenomena seldom heard in the West, not previously deemed serious enough for export by the Syrians and rarely, if ever, included on the import agenda of worldwide academic musical committees.