Someone who utilises orchestral-ness with a degree of sheer brilliance and
mastery is ELUVIUM. Matthew Cooper (he who is Eluvium) makes the
fantastic neo classical thing I've heard in some time. Copia is by far his
strongest release and pretty much every track will have you delving for more
tissues as you wipe the tears from your weeping face. We were playing this the
other day and the distro for it thought we were listening to Richard
Clayderman.
That's well funny! Whorra knob. There's quite a few tracks here which remind you
of Max Richter (they remind me of him anyway) as it's super emotive pretty
floaty lovely-ness with tinkly pianos and very similar sounding somber chord
progressions. I can't believe I said somber chord progressions. Whorra tool. Buy
this cos it's completely fucking brilliant. Nuff said.
Love this record? Hate it? Tell us.
Sound clips for Copia by Eluvium: on CD at Norman Records UK. CD, Temporary Residence, TRR110CD, £10.29.
Following a string of increasingly remarkable albums, ELUVIUM's MATTHEW COOPER set out to broaden his instrumental palette, while maintaining the uncanny emotional resonance that has become his trademark. The result is "Copia", an hour-long epic that applies Eluvium's heartache-inducing ether to a symphony of strings, brass, keyboards and piano. Noticeably absent but hardly missed are the washes of guitars that color most of Eluvium's previous material. The deliberate exclusion of traditional rock instrumentation serves as sufficient proof that the instrument is not Eluvium's driving force. At best it is a catalyst, a vehicle to that netherworld in the back of your head, where your life starts to uncontrollably reevaluate itself.